In that case, Soltman said, it wouldn’t be surprising to have a one-year contract for a limited series or a show with a plan to focus on different characters in each go-round. In streaming, however, the goal is to draw paying subscribers and there’s little incentive to extend even the most popular shows for more than a few years. Broadcast series also produce a massive windfall if they stay on the air long enough to achieve syndication. Having as many episodes as possible makes sense for broadcast shows as long as advertisers are happy with the ratings. Netflix’s “The Serpent,” about serial killer Charles Sobhraj, had to “pedal back” on several strange details in the case. Television The true story behind Netflix’s newest crime drama was too bizarre for TV The practice of bringing back stars indefinitely can cause conflicts, as in 2019 when “Crazy Rich Asians” star Constance Wu publicly expressed dismay that her show “Fresh Off the Boat” was being renewed for a sixth season on ABC, which prevented her from doing other things. In February, he hosted “Saturday Night Live,” gamely sending up his heartthrob image and “Bridgerton’s” steamy sex scenes. Within days of “Bridgerton’s” debut, Page was rumored to be in the running to become the next James Bond. The series instantly turned Page, who previously appeared in the short-lived ABC drama “For the People” and the 2018 remake of “Roots,” into a star. Eighty-two million households watched some of the series in its first four weeks of release, making it the most successful original series in Netflix’s history, according to the streamer. Cousin Matthew - who left the hit series after three seasons in 2012. “Downton Abbey” viewers were traumatized by the dramatic departure of actor Dan Stevens - a.k.a. Page certainly wouldn’t be the first actor to walk away from a star-making romantic role in a period piece. Netflix declined to comment beyond an announcement through social media accounts in the voice of “Bridgerton’s” gossip writer character, Lady Whistledown. “This situation is extremely unique and it could blow up the show and turn off many female viewers who loyally watched Season 1 because of Regé-Jean Page.” “It is a cardinal rule to have options on the lead actors in a series,” Miller said. Page’s one-year deal may be the latest sign of how talent deals are shifting amid the entertainment industry’s brisk shift to streaming.įor a show on a broadcast network, a typical deal would have “basically infinite options for the studio to exercise after each season, and they can lock in talent for as long as they want essentially,” said Nick Soltman, an entertainment business attorney at Kinsella Weitzman Iser Kump.ĭarrell Miller, an attorney at Fox Rothschild who negotiates contracts on behalf of talent, producers and directors, called the exit an “extremely unique” situation. And why wouldn’t the companies have sewn up Page’s Season 2 participation in his contract? Netflix’s announcement made it clear that Daphne would continue to be part of the show, perhaps an indication that it was ultimately Page who was behind the breakup.
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